“Cries from Syria,” Martin Tillman, composer “Captain Underpants The First Epic Movie,” Theodore Shapiro, composer “Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers “The Breadwinner,” Mychael Danna and Jeff Danna, composers “Brawl in Cell Block 99,” Jeff Herriott and S. “Brad’s Status,” Mark Mothersbaugh, composer “The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers “Born in China,” Barnaby Taylor, composer “The Book of Henry,” Michael Giacchino, composer “Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers “The Big Sick,” Michael Andrews, composer “Beauty and the Beast,” Alan Menken, composer “Baywatch,” Christopher Lennertz, composer “Battle of the Sexes,” Nicholas Britell, composer “Annabelle: Creation,” Benjamin Wallfisch, composer “All the Money in the World,” Daniel Pemberton, composer “All I See Is You,” Marc Streitenfeld, composer Here’s the full list in alphabetical order: To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Oscars: 70 Tunes Eligible For Best Song Playlist
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